The one where I talk about Saint Seiya, the problem with the Gold Saints and my own novel setting issue.

Whoah, that was a really looooong title.

*Warning: spoilers for a 30-year-old anime show… and my own novel.*

If you were a kid from Mexico in the early 90s’, odds are that you woke up early every Saturday to watch the legendary anime “Los Caballeros del Zodiaco”, the original name “Saint Seiya” (for the purists) and known in the US as “Knights of the Zodiac” after a bastardized adaptation. And odds are that if you are Mexican kid that grew up in the early 90s’, is that Saint Seiya is your favorite anime -or one of them-.

Me? I’m a fan, not a big fan as some of my close friends (one of them even has every single figure released since the heyday of the show), but I would lie if I say I’m not a fan. The concept is pretty simple (the video below gives a remastered, succinct explanation for the visually inclined): every 300 years, ancient gods return in the shape of avatars to take over the world, so Athena (yes, that one), reincarnates in a human body**, calls forth her Saints or Knights, who wearing special armors inspired by the 88 western constellations, will face these gods -Poseidon, Hades- to protect humanity. The Saints are divided into the humble Bronze, the flashy Silver, and the godlike 12 Gold Saints -that follow the Western Zodiac-. However, this time, something went wrong, Athena and a few of her ‘weaker’*** saints are in the run of the most powerful ones and have to face them in a grueling marathon to uncover the truth, the traitor and fix everything before Poseidon, Hades and their armies return.

The show has a favorite character for everyone, especially if your zodiac sign had a cool representative among the Golden Saints, the top of the cream of warriors in the show. Really 10 out of 12 signs had a great character representing it-unless you are a Cancer or a Pisces, then I’m sorry your respective saints suck big time-. My wife has Shaka, Virgo Saint, the closest man to God and basically a buddha* with the power to traverse every single hell and heaven from anywhere. And is more dangerous when he actually opens his eyes.

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Mine, is this man:

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Dokho, Saint of Libra, custodian of the 12 sacred weapons of Athena, watcher of the Rozan peaks where the specters of Hades are trapped, having lived for 243 years and trained an old incarnation of the Pegasus Saint and the current Dragon Saint, Shiryu (my other favorite character). Dokho, who is the Yoda of the show that -spoiler- when the time comes and things get dire near the end, returns through a special technique to his peak form, that looks like this:

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The shortest, hot-tempered, goofball Gold Saint ready to take names and kick ass. In this form he is… well, the Obi-Wan of the show, even to the other Gold Saints. And even if he looks like a hyperactive teenager (which he technically still is).

But I digress… the show is entertaining -if a bit repetitive as older anime usually is-. The music is superb (think a rock group playing with an orchestra waaay before Metallica did it). And you grow fond of the characters -unlike they are Pisces and Cancer, seriously, they need a better PR spokesperson-. And I really enjoy it, to the point that I’m addicted to the new mobile game. But there is an issue here… I get that Seiya, the Pegasus Saint and titular character, and friends are the main heroes. And the show is about their growth into heroes. But the thing that most of my friends and I agree is that as much as the show sells you the idea of the Gold Saints being these beastly, godlike beings capable of facing gods when they show up in the show… they barely actually show up.

Yeah, I have the same expression as you, Dohko.

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Don’t get me wrong, some of the battles between the 5 Bronze Saints -Pegasus Seiya, Dragon Shiryu, Cygnus Hyoga, Andromeda Shun and Phoenix Ikki- and the Gold Saints are nail bitters, especially those between Ikki and Shaka, Hyoga and his master Aquarius Camus, Shiryu vs Cancer Deathmask**** and Capricorn Shura, and the last stand of Seiya against the evil side of Geminis Saga before Athena dies -look, it’s really complicated to explain-. But the rest are… a mixed bag. Aries Mu is an ally of the heroes. Taurus Aldebaran is convinced by the heroes that they are right, Dohko is busy being a Yoda, till Hades returns in Season 3. Scorpio Milo gives a good fight but he is a good guy and changes his mind and Pisces… he is so damn annoying and his fight with Shun really drags on. Aiolia Leo is being brainwashed by the main bad guy so he has to be freed from his control and Saggitarius Aiolos has been dead for 13 years. And when the Poseidon Chapter comes, nothing happens with them. The Hades chapter was meant to redeem them, but it only worked for Dohko and Kannon, the evil twin of Geminis Saga that now is the good twin -that family has ISSUES-. Then came Soul of Gold that tried to redeem them but the animation did them no favor at all. And Lost Canvas, which is not canon, did use well ALL the Gold Saints, but they were from a previous incarnation, taking place in 1743 and the only known character there is Dokho who is kinda a rookie then (this Obi-Wan in Episode I).

And here is the thing that bothers me: they are not that awe-inspiring when they appear, aside Saga whose power set is broken (which makes him a good villain).  I get that the animation techniques back then (the series started in the 80s’ even if it arrived at this side of the world in the 90s’) didn’t allow for much spectacle and thus the powers seem subsided, reduced. But when I was a kid I remember dreading the day the 5 Bros were about to face the Gold Saints because of the show’ propensity to sell you the idea that the later were nigh impossible to defeat. That their powers were earth-shattering -literally in the case of Capricorn-. But when the fights came about, they were not that different from the main 5. Which led to a sense of power escalation in later seasons -as many shonen***** anime do- that never allowed the Gold Saints to show their prowess against feared rivals like Poseidon’s Marines or Hades’ Specters. They were punked.

Which leaves me a sour taste in the mouth, because the Gold Saints should be downright terrifying. The kind of guys that inspire myths because what they can do is off the charts: create tears into the space-time continuum, freeze things to atomic level reaching absolute zero (the show plays fast and loose with physic laws), cut through the Earth itself, move at the speed of light, send your soul to the Underworld, crash a planet on your head… you get the idea.  They are the stuff of nightmares, even if they are, for most of the part, the good guys.

Rather, they are not so spectacular.

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Yes, it’s kinda sad, kinda amusing, Dohko.

This is a particular issue of concern for me while I work in the sequel of Tempest Blades. Fionn -and really, any of the Gifted- is known as a powerful warrior whose abilities are way beyond the ken of mortal men. But due to the peculiarities of the villain in the first book, he had to fight with a literal hand tied to his back. Same for Gaby and Alex. Now, for the sequel, they have free reign, more training, and more experience under their belts to show off all that they can do. However, I know the risk of power escalation, which can destroy the suspension of disbelief within the setting, making the Marty/Mary Sues, if I just give them more power. That’s a serious problem.

So that left me thinking…

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The solution is already set in the first book. In the POV of the only regular character of my cast: Harland. And others like him.

I don’t need to increase their powers. There is no need because they are already that powerful. What I need is to show how the powers they have, without the restrictions, posed by the plot of the first book, look to others from the outside. Namely, for Alex, manipulating energy might seem normal after 10 years. But for Harland, who is a regular human, it might be downright scary. And what about when Fionn truly let go. So far he has barely shown his full potential, for fear of collateral damage. But if the restriction is lifted… Gaby… well, you will see. That’s why in the new book I’m introducing a couple of characters that will give the perspective of how is like to watch a Gifted with a Tempest Blade in hand, going full out. Because while for my main cast, Harland aside, doing what they do is part of their daily lives, for the people watching from the sidelines, what they do, is the stuff of nightmares. Even if they are the good guys.

I just hope Athena can guide me to make it work.

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*Well, not basically a buddha, he is actually a reincarnation of Buddha.
**She is like the Christ-like figure of the story. Seriously, Saint Seiya is a hot podge of myths, religions and everything between, but seen through the greek mythology glasses and anime tropes.
***Weaker, sort to speak. While the 5 main characters: Pegasus Seiya, Dragon Shiryu, Cygnus Hyoga, Andromeda Shun and Phoenix Ikki are Bronze Saints and thus the lower step of the stair, they -in very shonen fashion- grow to be more than a match for the Gold Saints and assorted deities.
****No, really, that’s his birth name. Kurumada has the subtlety of a sledgehammer.
*****Shonen is anime aimed for male audiences, think Dragon Ball.

My 2019 awards eligible stories

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Hello there, world. This is the first time I write one of these posts (as I have only been nominated once for an award and I wasn’t the one promoting it). But given that this was a seminal year for me as a writer, it was due time to create one. So here there are my award-eligible stories for 2019. Here are in order of length.

Novel

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518349ZKw8L“Tempest Blades: The Withered King.” Shadow Dragon Press. August 2019. Approx. 97,500 words.

Buy it from Amazon: https://mybook.to/TempestBladesWK
Buy it from Barnes & Noble: http://bit.ly/2kDhBlA

Genre(s): Fantasy, Science Fiction

What’s about? Fionn thought that his days as a warrior were over. Gaby & Alex never expected to become heroes. Now they must join forces to stop an ancient evil. In a world where magic and science intermingle, anything is possible. Including second chances.

What others have said about it:

“An action-packed blend of magic and mayhem, sword and sorcery, science fiction and fantasy. The book is full of entertaining characters, has a sense of humor and adventure, and there’s a crackling video-game vibe added for good measure.” —Maria Haskins, author, and B&N Blogger

“A glorious sci-fi adventure for any reader of the fandom of the classic video game ‘Soul Blade'” —Booklist

“Like Final Fantasy meets Dungeons & Dragons! An action-packed sci-fantasy adventure that fans of the genre will love! Victoria delivers a lively story that feels like a video game, with plenty of heart and humor along the way. The characters are interesting, the action keeps you turning the pages, the concepts are fascinating! This is good stuff! The one-liners are killer, too!”Diane Morrison, Author of the “Wyrd West Chronicles” & Manager of the official SFWA YouTube channel

“It was a fun, fast book, full of action beats. It was also surprisingly introspective and deep. As entertaining as it was, this is ultimately a book about second chances. I found it highly enjoyable.”Jodie Crump. Witty and Sarcastic Bookclub

“It’s a science fantasy epic that bursts with originality. It is new, it is fresh, and it makes the imagination soar. In short, this is not something you’ve read before.”Leo McBride at Altered Instinct

“There’s a some portals and a spaceship, a lizard pilot dude and a good deal of magick, a 133 yr old father-mentor guy and lottsa swords. A total mashup spanning the spacepunk, fantasy, scifi, and LitRPG genres, The Withered King looks to surprise you on every page…

…The Withered King is an impressive debut that any reader of speculative fiction should enjoy.”Paul at Paul’s Picks

Novelette

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Tales of Magic and Destiny cover“Asherah’s Pilgrimage.” in the anthology Tales of Magic & Destiny (Inklings Press). Edited by Leo McBride & Rob Edwards. July  2019. Approx. 9,100 words.

Buy it from Amazon: http://mybook.to/MagicDestiny

Genre(s): Fantasy

What’s about? A girl, the first with the gift of magic, has to step up and lead her people into a new world in finding a place to settle. But the perilous journey will mean for the freefolk to leave behind what remains of their old ways. And for Asherah to succeed, it will mean sacrificing everything she is and find her new place in the world.

What others have said about it:

“A story that has high-stakes and drama, personal courage and friendship, action and introspection, humour and pathos. For me, it captures the essence of what it is to be an individual overcoming their own limitations to achieve something that really matters.”  E.M. Swift-Hook at Working Title.

“…I loved the image of the freefolk and they seemed so intriguing and I loved the little glimpses of the world they left behind. I loved how the story grew to its close and I absolutely wasn’t ready for this one to end. The battle in the maze had some really great imagery. I haven’t read this one a second time yet (because I just read it this afternoon on my lunch break!) but I will definitely give it a second read.”Reviewer at Amazon.

Short Stories

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51yj0nKMCsL._SY346_“No-Sell.” in the anthology Gunsmoke and Dragonfire. Edited by Diane Morrison. March  2019. Approx. 4,800 words.

Buy it from Amazon: https://www.amazon.com/dp/1999575717

Genre(s): Fantasy Western

What’s about? In a world where magic delayed the invention of firearms, an ex-spellslinger has taken up a career as a traveling sales being of a newfangled weapon called a “rifle”… and he has a few tricks under his coat.

What others have said about it:

“I also enjoyed No-Sell, from Ricardo Victoria, taking the theme and running with it, for in a Wild West world where magic is commonplace, what use is a gun? And what would the equivalent of a snake-oil salesman do with one if he had one?”Leo McBride at Altered Instinct.

““No-Sell” by Ricardo Victoria was a fun story that reminded me very much of Dragonheart, but in a Western setting and blending in a bit of Aztec mythology. I really enjoyed the slow reveal on this story and the twist at the end.”Geoff Habiger.

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41sHL1Kc1rL“Good Boys.” in the anthology Gods of Clay: A Sci Fi Roundtable Anthology. Edited by Eric Michael Craig & Ducky Smith. February 2019. Approx. 4,800 words.

Buy it from Amazon: https://www.amazon.com/Gods-Clay-Sci-Roundtable-Anthology/dp/1733728317/

Genre(s): Science Fiction

What’s about? In the distant future, uplifted dogs and octopuses sent a mission back to a legendary place, a ‘lost’ planet, to find about a strange signal sent by their long-gone creators. The secrets they find there, the ancient enemies they will encounter, will shake their beliefs and their future.

Today is the day.

So yeah, I published a book today.

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After 5 years of writing, editing, cursing, looking for a home for it (rejection included), more editing, working with the cover artist, a life goal is finally achieved and here. My first novel is out. I can say that I have achieved the 3 goals I set for myself before I reached 40 (it was originally before 35, but I guess I’m a late bloomer). Those goals were:

  1. Marrying the most beautiful girl in the world. Check
  2. Publish a Book. Check
  3. Get a Ph.D. while studying abroad. Check

Damn, I need new goals now.

Anyways, back to the book, it was getting good reviews so far, it has been called “imaginative”, “an epic that bursts with originality”, “highly enjoyable” & “an impressive debut” that “should appeal to readers looking for adventure and fun.”

For more detailed reviews, please visit the Goodreads page of the book. Hopefully, those will cross over to Amazon and help get sales. Because while I write for the love of the art, the extra money would be nice and it would give my publisher an incentive to publish the sequel I should be writing.

And this is the book blurb:

Fionn is the wielder of a legendary Tempest Blade, and he is blessed – or cursed – by the Gift. Though his days as a warrior are long over, his past leaves him full of guilt and regret. Life, however, has other plans for him, when he agrees to help a friend locate a missing person.

Gaby and Alex never expected to become heroes… until they met Fionn. As an ancient evil arises and consumes the land, Fionn must help them to master their own Gifts and Tempest Blades.

Together the three of them, and their friends, will chart a course aboard the flying ship Figaro to save the planet. Will Fionn’s past be an anchor, or will he overcome the one failure from his former life before time runs out?

In a world where magic and science intermingle, anything is possible.

Including second chances. 

Anyways, I hope you like the idea enough to buy it, read it and hopefully review it. You can get in Amazon, Barnes & Noble and Indigo.

I will go to celebrate later with y wife and friends if the exhaustion from my day job doesn’t take a toll first.

Updates on life and my novel

I haven’t updated the blog in more than a month. As usual, life has been hectic. I got twice sick -once with a cold, another with a stomach flu-. I’m in the last stages of my research project at my day job -with very interesting results- and need to prepare a conference presentation about it.

And of course, I’ve been writing and promoting said writing. It takes time. In 2 days, a new Inklings anthology will be released: “Tales of Magic & Destiny“, with a story of mine that links with Tempest Blades.

And in a month and a half, “Tempest Blades: The Withered King” will be released into the wider world with the hope that people like it. So far, the book has gotten great advanced reviews. Some are already available at the Goodreads page for the book, another is in the Booklist website, and a couple are at the reviewers’ respective blogs, here at Altered Instinct and at Witty & Sarcastic Bookclub. There is hope for more reviews coming in the following days. And with luck, they will be good.

Meanwhile, I’ve been taking a  few lines from each review to use in these images (the Alex one still has room for more lines though):

Reviews FionnReviews GabyReviews Alex

And working in the sequel of Tempest Blades. I already have the prologue and the epilogue done. I just need to write the middle part. Easy! *sarcasm*.

So yeah, it has been a couple of tiring but fruitful months. I just need a holiday break to take it all in.

My novel’s dream soundtrack.

A while ago, I wrote a similar post about my ideal soundtrack for my novel when I was around the 7th draft. Now that it is to be published and in hands of the ARC reviewers, I thought in updating the list to make it fit better.

This is my ‘dream’ soundtrack, the one that if money, rights and time weren’t an objection, would be what I would like to hear in a movie or a tv show. Alas, this is the list of songs I used while writing my novel.

Some songs are for scenes, others, to reflect the character in question -a musical shorthand if you like, a leitmotif -. So their ‘character songs’ are the ones I listened when writing their parts. Same with specific scenes that have a ‘theme’. Thus the reader could listen to them with the same effect, maybe getting a better idea of the mood I was aiming for. These songs really helped me nail particular bits of the story.  Even if this is an eclectic list, to say the least.

And thank you to the artists behind these songs. Your work inspired me to write the best story I could.

Theme Song for the whole story:

Character themes:

Fionn’s Theme:

Gaby’s theme (and the inspiration for the song she sings before the crutial fight):

Alex’s theme:

Sam’s theme:

Sid’s theme / The Figaro’s flight:

Harland’s Theme:

Scene themes:

Opening Chapter / Heroic Resolve (I’m gonna kick your sorry ass):

The Freefolk theme (for anything related to them, the Maze, Mekiri or magic in general)

Training Scenes:

Big Damn Heroes (in the final chapters):

The Final Duel:

Closing moments / Credits:

 

Why I love Ghostbusters as a writer.

Let me preface this entry with the following statement: I love both the original films and the new one (Kate McKinnon as Holtzman is brilliant) as well as the Real Ghostbusters cartoon. Every incarnation brought something different to the table and all are equally good and equally valid so you won’t find any argument to support your ‘complaints’*.

When I was a little kid, one of my older cousins, who worked for a cinema magazine gave me a copy of their latest issue, that was entirely dedicated to promoting the original  Ghostbusters film. He thought that magazine would be a good help for me to practice my reading. Which it did. The magazine was mostly composed by interviews with the main cast, the set and FX designers (which I guess was a sign for me to study design) and how they came about with the concept. Later on, my dad managed to procure a copy of the film in one of those rental places and I think I watched the film like 4 times before returning the tape. Then a local channel kept it in the rotation for years, until the cartoon and the sequel appeared (I got to watch the sequel at the cinema). Since then, I try to watch it at least on Halloween every year -now is a marathon of the three films-. I have played the video games, have a couple of toys, comics, and books. I can say that I know the story like the back of my hand. And probably quote the first film most of the time in random conversations.

“Ray, When Someone Asks If You’re a God, You Say YES.”- Winston

Like now. Yeah, I’m that guy. As for the record, I think that one is the best line of the whole movie.

So as you can surmise, this is one of my favorite films (only topped by the 90’s TMNT film). I wanted to work as Ghostbuster, which explains the eclectic part book collection of physics and the occult. For me the whole explanation of how high energy physics could be used to explain and deal with the paranormal in a very coherent way (within the movie’s universe) made perfect sense. Having an engineer dad that was also a Star Trek fan helped, as he explained to me (or simply gave me the books, like A Brief History of Time) some of the basic concepts of what Ray, Egon -and years later Jillian, Abby, and Erin- were saying.

“Well, let’s say this Twinkie represents the normal amount of psychokinetic energy in the New York area. According to this morning’s sample it would be a Twinkie…thirty-five feet long weighing approximately six-hundred pounds.” -Egon.

Knowing that the quote was part of a longer explanation of the inflationary universe theory and how it made our reality prone to paranormal incursions, more or less, makes have even more respect for the whole concept of mixing science with magic. This is where my inspiration to make my own mix of science and magic for my stories comes from. The cartoon really expanded onto it, courtesy of the always super work of JMS.

However, the lesson I take from the first Ghostbusters film (a lesson more or less repeated in the 2016 film) is the economy of narrative to present complex worldbuilding and detailed characters, all around a pretty basic simple premise: a pest removal service where the pest is the paranormal.

The original film has a surprisingly short runtime of 1 hour and 45 minutes. Compared to more modern films, it’s at least 15-30 minutes shorter. It might look like too little, but in film 15 minutes is an eternity. So in such a relatively short amount of time, the movie does a lot. Once I read a column by Charlie Jane Anders at io9, about how the way ‘Back to the Future’ was filmed makes it a perfect movie and one of the reasons is how the film efficiently uses its runtime to set up the world, the characters, the conflict, and resolution. I want to believe that the same applies to the first Ghostbuster film.

We’re Ready To Believe You.

The opening, the library scene before the title card -which I consider one of the bonafide great jump scare scenes ever made- sets up nicely half of the premise: ghosts are real and are scary. The following minutes set up the other half: a trio of unconventional scientist that not only believe ghosts are real but are applying the scientific method to prove their existence. Not only they succeed but realize that a) they are ill-equipped for dealing with ghosts and b) there is a business opportunity here (it’s the 80’s, greed was good… for a few).

The following scenes go to introducing Peter, Ray, and Egon as actual characters. Each line they spout is full with meaning: Ray is a dutiful son with the heart of a child (which becomes a key plot point at the end). Egon is, for the most part, the stereotypical aloof genius that comes with the technobabble and equipment… except that he does have a sense of humor, social skills and can explain the most complex topic with ease and /or a twinkie.

Egon Spengler: There’s something very important I forgot to tell you.
Peter Venkman: What?
Egon Spengler: Don’t cross the streams.
Peter Venkman: Why?
Egon Spengler: It would be bad.
Peter Venkman: I’m fuzzy on the whole good/bad thing. What do you mean, “bad”?
Egon Spengler: Try to imagine all life as you know it stopping instantaneously, and every molecule in your body exploding at the speed of light.

And Peter… oh Peter. He is a sleazebag, a rascal, a loveable rogue and beneath the jerkass attitude, the most heroic of the three. Watch the movie, I can’t recall a single challenge he doesn’t want to tackle with dry humor and a can-do attitude.

The movie then introduces Dana and her neighbor Louis Tully, romantic interest and comic relief, apparently. While their roles are not that large, every scene where they appear is full of meaning, both at the character level and as part of the plot, foreshadowing included. They are vital parts of the plot later on.

You then move to the growth of the business, the addition of sassy Janine and the fourth musketeer Winston. I want to stop here for a bit. At the outset, the addition of Winston seems like an afterthought, the kind of stuff you could expect from the 80’s where certain unsavory stereotypes about minorities were still in vogue, especially PoC background as a blue collar worker surrounded by white scientists, just to fill a quota. It doesn’t help that the role was originally meant for Eddie Murphy and when he rejected it, probably was considered to be dropped. It is certainly problematic.

As a side note: this is something I believe the 2016 film improves on just a bit, as making Patty not only part of the team right away, but also a vital part given her encyclopedic knowledge of the history of the city and somewhat of a leader to keep the rest of the team focused on the tasks at hand.

However, with all its warts -and this is not an apology, that part of the film has not aged entirely well- the role Winston goes to play becomes one of big importance in current narratives: the common person point of view. At some point in the story, if you kept only the three founders of the GB around, you would have faced a wall with all the technobabble, after all, they all know what they are talking about, but not the audience, which would be confused or would have lost the suspension of disbelief. But Winston helps to ground the story, not by dumbing it down, but by providing the shady commentary that complements the technobabble and lampshades the ridiculousness of the film’s premise with well-delivered zingers. That makes the story more relatable and the insufferable geniuses more palatable. He is us in the film, the regular person thrown into a wider, incredible and mysterious new world and has to learn to navigate it fast. Those characters help a lot to create world building without using info dumps.

Winston Zeddemore: Hey, wait a minute! Hold it! Now, are we actually gonna go before a federal judge, and tell him that some moldy Babylonian god is gonna drop in on Central Park West and start tearing up the city?!
Egon Spengler: Sumerian, not Babylonian.
Peter Venkman: Yeah. Big difference.
Winston Zeddemore: No offense, but I gotta get my own lawyer.

The movie never wastes a minute waxing lyrical about the world they are or with not-so-necessary setups for jokes -a problem the sequel does have-. No, it moves at a neck-breaking speed introducing a complex world full of ancient cults, crazy architects,  Babylonian… Sumerian deities and spiritist guides that can describe pretty much anything paranormal in the world (which makes you wonder who or better say WHAT wrote the Tobin’s Spirit Guide). All with tight packed dialogue that takes you to the ‘End of the World’ Scenario where the heroes, in order to beat a god, use guile rather than blunt force and explosions. Kinda…

Egon Spengler: I have a radical idea. The door swings both ways. We could reverse the particle flow through the gate.
Ray Stantz: How?
Egon Spengler: We’ll cross the streams.
Peter Venkman: Excuse me, Egon, you said crossing the streams was bad.
Ray Stantz: Cross the streams…
Peter Venkman: You’re gonna endanger us, you’re gonna endanger our client. The nice lady who paid us in advance before she became a dog.
Egon Spengler: Not necessarily. There’s definitely a very slim chance we’ll survive.

What is most interesting of the Ghostbuster film is how the climax and the end pay off every single bit of foreshadowing from the beginning, ties all loose ends -Slimer notwithstanding- and at the same time leaves the door open for potential sequels without leaving anything hanging out. If there were not a film/video game combo sequel or an animated series (both with different canons), the original GB film would have been a perfect stand alone movie.

The animated series and the 2nd film/video game took different directions with the plot. The animation went for the ‘monster of the week’ approach, featuring every corner of the paranormal -including, yes Cthulhu-, strange episodes like the Agatha Christie inspired one or even heartbreaking ones like the ghost dog of the circus that helped them to beat a bigger monster while sacrificing itself (I cried when I watched it as a kid). The 2nd movie and the film tried to create a more coherent narrative where the video game -seriously, play it, especially the PS3 version- ties every plot from the first two films to create a mytharc.

Both are nice, but they don’t surpass the excellent narrative execution of the first film. In a world full of interconnected franchises and multiple sequels, the fact that you can pack so much story in so little space and deliver a satisfying ending that can be as closed or as open as the audience wants is the biggest lesson to take from the 1984 film as a writer.

For me, it’s one of the ways you could approach writing your novel, no matter if it will be a stand-alone or a series or a series of stand-alone movies interconnected -which is what I’m trying to do-. Give the reader a conclusion to that particular arc, with well-defined characters and great dialogue, leaving yourself the door open for a continuation, but without leaving the reader hanging up. I don’t know if I’m making sense or if I might achieve it with my novel. But I think as a writer is an interesting challenge. I undertook it because one of my best friends, who is an avid reader told me once that she yearned for a fantasy book where she didn’t have to wait for the next book to know how the story of the first book ends and yet be part of a series. And also don’t be a doorstopper. In my opinion, it’s a healthy way to do things, self-contained arcs that can work as parts of a bigger arc but can be read independently.

That’s why I’m using the GB films as a guide for writing my novels because I believe -especially the first one- its a good template for an interesting arc based in a simple premise, efficient pacing, world building, a mashup of genres (in this case horror, comedy, science fiction and a bit of fantasy), good character development and sly, quotable dialogue. The materials for a classic story are there. The trick, like in cooking, is in the execution as to achieve balance rather than get one of the elements to overcome the other. I sincerely hope I achieved it in my novel.

Rarely has a movie this expensive provided so many quotable lines.
Roger Ebert, Review of Ghostbusters (1 January 1984)

I agree. And they ain’t afraid of no ghost.

 

*I also liked The Last Jedi. It is the best deconstruction of the fallacy of the ‘happily ever after’ ending in a setting that thrives in conflict and a reality check to many people about managing our expectations as we grow old. So take that.

 

I have some news for you.

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I should have posted this before, but workload got in the proceedings. As of a few weeks, my novel, Tempest Blades has a home! *Cue celebrations and embarrassing dance moves*

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Artemesia Publishing has agreed to publish the book under their Shadow Dragon Press imprint. They loved it, which is always a good sign. Now, the book won’t be out. As with anything related to the publishing industry, it will take time to get to the dead tree/dead e-reader I mean print and ebook final evolution. Edits have to be done, cover has to be designed and all of the marketing ideas have to be, well, planned. That takes time. When I talked about the timeline with the fine folks from Artemesia, we agreed that the reasonable launch date will be around the summer of 2019, this with the idea of ensuring a quality product.  As long as it is published before my birthday that year, I’m happy.

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The bright side of the somewhat long wait is that it gives me time to annoy you with pleads to buy the book as well as start writing the sequel. Because oh yes, there will be a sequel and hopefully a threequel and a quadroquel or whatever is said, with more electric boogalooness. Writing the sequel was not exactly in the cards and it takes me time to get a decent draft, between six months and a year, given my peculiar plotting & writing system. But that means that you will have time to wait for the book and re-read it. The Final Countdown begins.

So please keep an eye in this space for more news on Tempest Blades and thanks again to the people of Artemesia for this opportunity.

*Cue more embarrassing dance moves for several weeks*

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Random Chat #2

Here is the latest in the mayhem of thoughts that’s my head:

-I had planned to write a lengthy entry on why I liked The Last Jedi, why is a good way to break with the fan pandering and a possible reason of why the detractors hated it -which reminds me of the vitriol spewed online after the prequels. But so much has been written that I would hardly add anything meaningful to the conversation. I will just say that this is not a movie for my generation but a Star Wars for the new one and that the thing that weighs heavily in fans minds is that is a movie that, for us that grew up with Luke Skywalker, confronts is with our mortality and with what legacy we are leaving behind. I suspect that some detractors are having troubles to come to terms with that.

-I got a new rejection, this time for a short story that mixes alternate history and fantasy. I did get a personalised letter explaining what they liked and what not. I resubmitted it to another market.

-I just finished two fantasy stories and I’m working on finishing a science fiction one, this later for an indie publisher planning to release its second anthology. My story has dogs, so you know it will be awesome.

-I’m also working on a horror story aimed to be submitted to a SFWA market before the end of the year.

-There is no current movie me and my wife wanna see this month. We will wait till Black Panther.

-Talking about movies, ‘The Greatest Showman’ is a pretty good musical with a strong cast and good songs. But to enjoy it you have to forget for 105 min what a piece of shit was the real P.T. Barnum and how he mistreated animals (which by the way in the movie are all CGI.

-If I have to recommend a series to binge watch on Netflix is Fullmetal Alchemist Brotherhood. It’s highly addictive and has it all: action, mystery, intrigue, great world building, main characters that fight with their smarts as much as with the fists, secondary and tertiary characters with defined history and a plot where everyone collaborated to save the day. Everyone. And what’s more important and an oddity these days: an ending that feels entirely earned and justified.

-I really need to start writing my novel’s sequel or it will take another decade. G.R.R. Martin I’m not. Sadly something called da job tends to mess with said plan. Bills have to be paid and I’m not a famous author to live from it. J.K. Rowling I’m not.

-My wife got me several action figures I was looking for as Christmas presents. She knows me so well and I love her so much. And this Turtle additional expression is perfect to portray my usual mood with life:

Life is a tower of jenga. It tends to collapse on you. And you have to start anew. You are allowed to yell.