Today is the day.

So yeah, I published a book today.

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After 5 years of writing, editing, cursing, looking for a home for it (rejection included), more editing, working with the cover artist, a life goal is finally achieved and here. My first novel is out. I can say that I have achieved the 3 goals I set for myself before I reached 40 (it was originally before 35, but I guess I’m a late bloomer). Those goals were:

  1. Marrying the most beautiful girl in the world. Check
  2. Publish a Book. Check
  3. Get a Ph.D. while studying abroad. Check

Damn, I need new goals now.

Anyways, back to the book, it was getting good reviews so far, it has been called “imaginative”, “an epic that bursts with originality”, “highly enjoyable” & “an impressive debut” that “should appeal to readers looking for adventure and fun.”

For more detailed reviews, please visit the Goodreads page of the book. Hopefully, those will cross over to Amazon and help get sales. Because while I write for the love of the art, the extra money would be nice and it would give my publisher an incentive to publish the sequel I should be writing.

And this is the book blurb:

Fionn is the wielder of a legendary Tempest Blade, and he is blessed – or cursed – by the Gift. Though his days as a warrior are long over, his past leaves him full of guilt and regret. Life, however, has other plans for him, when he agrees to help a friend locate a missing person.

Gaby and Alex never expected to become heroes… until they met Fionn. As an ancient evil arises and consumes the land, Fionn must help them to master their own Gifts and Tempest Blades.

Together the three of them, and their friends, will chart a course aboard the flying ship Figaro to save the planet. Will Fionn’s past be an anchor, or will he overcome the one failure from his former life before time runs out?

In a world where magic and science intermingle, anything is possible.

Including second chances. 

Anyways, I hope you like the idea enough to buy it, read it and hopefully review it. You can get in Amazon, Barnes & Noble and Indigo.

I will go to celebrate later with y wife and friends if the exhaustion from my day job doesn’t take a toll first.

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Updates on life and my novel

I haven’t updated the blog in more than a month. As usual, life has been hectic. I got twice sick -once with a cold, another with a stomach flu-. I’m in the last stages of my research project at my day job -with very interesting results- and need to prepare a conference presentation about it.

And of course, I’ve been writing and promoting said writing. It takes time. In 2 days, a new Inklings anthology will be released: “Tales of Magic & Destiny“, with a story of mine that links with Tempest Blades.

And in a month and a half, “Tempest Blades: The Withered King” will be released into the wider world with the hope that people like it. So far, the book has gotten great advanced reviews. Some are already available at the Goodreads page for the book, another is in the Booklist website, and a couple are at the reviewers’ respective blogs, here at Altered Instinct and at Witty & Sarcastic Bookclub. There is hope for more reviews coming in the following days. And with luck, they will be good.

Meanwhile, I’ve been taking a  few lines from each review to use in these images (the Alex one still has room for more lines though):

Reviews FionnReviews GabyReviews Alex

And working in the sequel of Tempest Blades. I already have the prologue and the epilogue done. I just need to write the middle part. Easy! *sarcasm*.

So yeah, it has been a couple of tiring but fruitful months. I just need a holiday break to take it all in.

My novel’s dream soundtrack.

A while ago, I wrote a similar post about my ideal soundtrack for my novel when I was around the 7th draft. Now that it is to be published and in hands of the ARC reviewers, I thought in updating the list to make it fit better.

This is my ‘dream’ soundtrack, the one that if money, rights and time weren’t an objection, would be what I would like to hear in a movie or a tv show. Alas, this is the list of songs I used while writing my novel.

Some songs are for scenes, others, to reflect the character in question -a musical shorthand if you like, a leitmotif -. So their ‘character songs’ are the ones I listened when writing their parts. Same with specific scenes that have a ‘theme’. Thus the reader could listen to them with the same effect, maybe getting a better idea of the mood I was aiming for. These songs really helped me nail particular bits of the story.  Even if this is an eclectic list, to say the least.

And thank you to the artists behind these songs. Your work inspired me to write the best story I could.

Theme Song for the whole story:

Character themes:

Fionn’s Theme:

Gaby’s theme (and the inspiration for the song she sings before the crutial fight):

Alex’s theme:

Sam’s theme:

Sid’s theme / The Figaro’s flight:

Harland’s Theme:

Scene themes:

Opening Chapter / Heroic Resolve (I’m gonna kick your sorry ass):

The Freefolk theme (for anything related to them, the Maze, Mekiri or magic in general)

Training Scenes:

Big Damn Heroes (in the final chapters):

The Final Duel:

Closing moments / Credits:

 

It’s been a long road… the stories within the continuity of Tempest Blades.

It’s been a long road, getting from there to here.
It’s been a long time, but my time is finally near.
And I will see my dream come alive at last. I will touch the sky…

I think “Where My Heart Will Take Me” lyrics encapsulate the way having my novel published and released in a few months. But the world where it happens, the inhabitants living there, the main characters, have a history. And I’ve been working (and publishing) on bits of that history, connected one way or another to the main series.

This is a short list of stories already out and how they connect with the novel. They are ordered in chronological order, within the universe, rather than in publishing order in our universe.

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It’s been a long time, but my time is finally near…

Asherah’s Pilgrimage (8,000 to 10,000 years before present day):

It’s the ‘true’ story behind the legend of the foundation of the Freefolk first kingdom and the source of most of their major cultural beliefs and customs. It is also the story of how modern Freefolk came to be as they are now in the times of the Withered King. It will be published in Tales of Magic & Destiny in a few months, this year.

Silver Horn (around 152 years before present day):

My very first published story actually. It’s the folk tale -not the actual events- of how a young man undertook a quest to return a dangerous item deep inside a mystical place related to the Freefolk. Being a folk tale, it is more comedic and takes liberties about the actual events, but it’s the kind of tale a father would tell his son about his own exploits, to inspire the kid to become an adventurer and a hero. The young man in the story? It was the father of Fionn, the main character of my novel. It was featured in Tales from the Tower.

Buried Sins (around 110 years before the present day):

Around the world, there are multiple events taking place. Some are of no consequence, others have repercussions across space and time. And major wars always have different fronts, different battles. Some are big scale, like the Longhorn Valley battle at the start of Withered King and some are more personal. Buried Sins take place around the same time as the first chapter of the novel, across an ocean in a different land and is a tale about a man haunted by its inner monster, trying to stop mercenaries that are trying to dig up a weapon that could change the War portrayed in chapter 1 of the novel. And the events of this story will also affect the potential sequel of the novel. It was featured in Tales from the Underground.

Cosmic Egg (around 50-80 years after the present day):

Part sequel, part spin-off, it’s the tale of the first space expedition from Theia to explore the rest of the galaxy. None of the characters of Tempest Blades. The Withered King appears here, but most of the story’s characters are related to them in one way or another. Also, in the novel, you can see the technological precursors of the Fireraven, the ship featured in Cosmic Egg and the mention of a legend connected to a character from Asherah’s Pilgrimage. It was featured in Tales from the Universe.

So there you have a current list of stories tied to my novel.

Writing stories to flesh out the world of my novel has been helpful, not only for putting down historical events that can’t be included in the main series without bogging it down; but have also helped me to practice my writing skills and improve them. Bear in mind, and I’m being honest here, that the style has changed over the years. And I hope it has changed for good as I aim to be a good writer. Thus, the stories vary somewhat between them. Nonetheless, I hope you like them all as well as I hope you like my novel. That’s more than I can ask.

So I did something at the last La Mole Comic Con…

I haven’t updated much the blog lately, because I’ve been busy with a certain book which is now also available for preorder at Barnes & Noble) and with grant applications that are really important for my day job (and my finances). But last Friday I took the day off to go to Mexico’s main Comicbook convention: La Mole.

La Mole is our equivalent to the SDCC and until last year, they were affiliated to the SDCC (shenanigans by a third party got said affiliation suspended until further notice) and they usually bring heavy hitters from the comic industry and pop culture. This year they brought Kevin Eastman, Jason David Frank, Jock and several other Marvel artists of which I’m afraid I can’t recall all their names (an apology).

So Salvador, the friend who did the art for my book’s cover, decided to do a limited print run of the cover art as a poster (only 25 copies), a hundred bookmarkers with a QR code to take the recipient to the Amazon preorder page and put them on sale along the rest of his art, in his stand at the Artist’s Alley part of the event. He also added the cover to his portfolio that he presented to Marvel, so let’s wish him luck. Given that it was a limited run, he signed it… and invited me to sign them as well. It’s the first time I do something like this. I even created a special signature for that (can’t use my legal one for… well legal reasons). My wife, as usual, had her camera at hand and took photos of the event, including one that Geoff, my editor, wants to use as Author Photo. I dunno… I was expecting to use something more epic, with a sword, like Ned Stark saying “Winter is Coming”. But hey, I dug my own grave on this one.

Anyway, here are some pics of the event. Don’t judge me, please. I’m not camera friendly.

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Yes, this is the new Author’s Photo. The tongue as sharp as a sword I guess. What I was thinking?

The Reveal: “Tempest Blades. The Withered King”.

Well, here it is, my book’s cover is finally done. And the book is for preorder too. But first the cover.

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Pictured: Fionn, Gaby, and Alex, my main characters, trying to clean up the mess that someone else created. Some reunions can get really chaotic.

It’s amazing isn’t? I mean I can’t stop staring at it. It’s widely different from what I had pictured at first, but that’s the great thing! I get to see my world through the eyes of one reader. Because yes, Salvador Velázquez, the Mexican graphic artist who worked in this awesome art piece read the whole book to try and get the right feel for it.

I consider myself lucky for many, many reasons in life (like having a wonderful wife and great friends). But in this case, I think, without wanting to sound as I’m gloating, that I’m also as a writer. Usually, when a writer gets to be published, the editor sends the design brief to the artist, the artist does their interpretation of said brief (which is not the same as the actual story) and you get a cover done. Most of the time it works but not always, as in that fight between a cover artist and an author that was neither good or kind. Others the author if they have the skill, work on the illustrations as well, like Tolkien. Sometimes if you self publishes, you buy a premade cover or hire an artist and result may vary. And occasionally a writer gets to work directly with the artist and a good rapport and communication surges, becoming friends, which is my case with Salvador.

I was lucky that my publisher, Artemesia Publishing, allowed me a certain degree of liberty when it came to the cover design and illustration. And me, being the control freak I am, took the opportunity. In another blog entry, I will showcase the development and evolution of the cover art, with added comments from Salvador (given that it will be a long post, it will take some time to put it together). Lest suffice to say that I spent the last months, chatting back and forth with Salvador, trying to get his vision and my ideas to mesh together into the fantastic illustration you are seeing above. I have to give it to him as he was patient enough to listen to me rambling about how a bow should be used or asking about references while leaving his own imprint on the piece. I think that something that helped is that both of us have a design background* (and since I will be overseeing as well the editorial design of the cover) so we shared a common language and understood how and why to ask something.

This is the cover, all put together with the synopsis in the back. The final cover design and assembling were done by my wife, who is not only an amazing photographer but also a talented editorial designer who is starting her business creating covers for authors like me. Trust me, it might look easy, but the level of skill required to make sure everything is correct right to the last millimeter is staggering. I still have a lot to learn from her if I want to improve the covers for Inklings Press.

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The synopsis reads:

Fionn is the wielder of a legendary Tempest Blade, and he is blessed – or cursed – by The Gift. Though his days as a warrior are long over, his past leaves him full of guilt and regret. Life, however, has other plans for him, when he agrees to help a friend locate a missing person.

Gaby and Alex never expected to become heroes… until they met Fionn. As an ancient evil arises and consumes the land, Fionn must help them to master their own Gifts and Tempest Blades.

Together the three of them, and their friends, will chart a course aboard the flying ship Figaro to save the planet. Will Fionn’s past be an anchor, or will he overcome the one failure from his former life before time runs out?

In a world where magic and science intermingle, anything is possible.

Including second chances.

Anyways, this is the cover. The back blurb is not on it because I wanted you to admire the art and the custom made logo Salvador and his girlfriend did for me. You can give them a better look at these promotional banners:

Banner TBWK Fionn

The Greywolf

Banner TBWK Alex

The Inventor

Banner TBWK Gaby

The Dreamer

While “Tempest Blades. The Withered King.” will be released on August 20th of this year, you can preorder my book (so weirdly satisfying to say that) here**:

http://mybook.to/TempestBladesWK

Preorders help writers too -actually, they help a lot, more than you can imagine- so I will be deeply thankful if you go and get a copy for yourself. And let me know what do you think when you get your copy after August 20th.

Thank you.

*Design, like many other fields such as engineering and medicine, has different specialties and different skills. Yes all designers, know how to draw. But one thing is to draw a product -like in my case, and I admit I’m not that good- and another to draw a custom made illustration or develop a marketing campaign. Yes, you can cross-pollinate abilities -my wife, a graphic designer, and photographer, is teaching me about editorial design and photoshop- but it takes time to get good at them. See my point about editorial design.

**I just hope that by the time you see this, Amazon has updated the cover image for the ebook version, that’s why the link will take you to the paperback version.

Entrance (free flash story)

(From time to time I participate in an activity at the  Sci-Fi Roundtable Facebook group, where we write flash fiction. This a sample of what I’ve been doing there. As an exercise, it is helpful to keep the imagination strong. This one, in particular, is part of the Tempest Blades Universe. Also, I want to thank Brhi Peres for allowing me to use her art for this story ).

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The Trickster Goddess decided to descend upon the world once more. This was a message that had to be relayed in person. On this occasion though, it would be though as she needed to be really careful. Last time she did it using her true form and full power, she broke the world, leaving it with a scar that held reality warping anomalies. Thus, she opted for creating an avatar as she came down. She first projected her personality and part of her wisdom and power into the world. Around that, using her divine powers, she invoked the Creator’s light. Globules of light coalesced around the spiritual form.

The goddess manipulated matter at the quantum level first, then atomic, then genetic. She built from scratch a -correct anatomically speaking- mortal body, one of a humanoid young woman with long reddish hair and big black eyes. She walked across the Boreal Forest –each step longer than those of the giants- completely naked, while moved her hands, matter shaping around her, making clothes and shoes. It took her a while to readjust to the lessened mortal senses. Only a modicum of cosmic awareness remained, an ironclad thread to her real form tucked in the higher dimensions. That didn’t mean that the goddess could be destroyed in this form. She was still capable of reality warping feats, she still knew how to fight and her body –impervious to anything from the universe- could easily walk into a black hole and torn it asunder with one hand. She had made sure of it. But this form, this mortal coil, wasn’t designed to deal with the sensory input that omnipresence and omniscience caused, even the limited version she inherited from the Creator. It would take time to fine tune that aspect. But she had nothing if time.

She paused for a while, at the side of a blue pool of water, surrounded by mist. She stared at her reflection and liked what she saw.

“Well, the clothes could use more work. I might need to recreate my old armor, from the Fall Time,” she said to himself.

Aside from that, this form should be perfect for interaction with the mortals, interaction of any kind she thought. Her mind had already a few ideas of what sensory experiences she wanted to go through. After all, if she wanted to protect these mortals, she needed to understand them, see the world the way they did. But first, she had to take care of visiting a freefolk girl and giving her a particular mission.

“It’s so weird to have a physical body in this realm. But it feels good to visit the old home. Let’s find that girl Asherah. I have a mission for her. But first, I need a name for this avatar.”

She walked away from the pool, the globules of light still surrounding her, creating a metal armor- while musing on what name she would take. That was the most difficult part of creating an avatar. Not the accessories, the name.

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The world of Theia. Part 1: Ionis.

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Every story, every adventure needs a place to… well, take place. So this is Theia, the world where Tempest Blades takes place. Actually, it’s just one of the continents in Theia, where the story of this particular arc of Tempest Blades takes place.

But first a few data on Theia: it’s a planet similar to Earth, orbiting a sun within the habitable zone. It has two moons: one is round like ours, the other is a smaller, elongated one (no one really knows what the hell it is) that appears only when something on the mystic side takes place. It also has a thick ionosphere, with the result of massive storms rolling over the continents, and affecting the development of telecommunications and high altitude flight. Thus they have developed differently. Weather is mostly the same, but a bit more extreme and has both similar species to Earth (and from two other planets) and endemic ones. It also has a highly stable magick energy field atop the magnetic one.

Ionis is the central east continent of the planet, the most densely populated despite being the second or third ‘colonized’. It’s part of a larger landmass, divided by mountain ranges such as the Jagged Mountains and inner seas on the south. The Grasslands is where the most eastern continent starts. Nowadays the continent is organized under the rule of the Free Alliance, a coalition of city-states and small kingdoms and republics that formed after the Great War took down the Old Kingdoms. There are no nominal borders within its territory, although each city-state has under its protection the smaller ones, as well as towns.

The freefolk nations shares space with humans with relative peace and their settlements rule themselves but in an alliance with the city-states as formal members of the Alliance. Freefolk and human intermingle with such frequency that it’s almost impossible to distinguish one from another (unless someone uses magick). Samoharos are a rare sight in the continent, only visiting ports such as Portis, Saint Lucy or the Seven Watersnakes.

Weather and vegetation are similar to that of British Columbia. There are still cultural, economic and sports-related rivalries within its regions, which sometimes can spill into minor conflicts. But for the most part, Ionis has endured a century of peace since the war ended. Think the European Union or the Carolingian Empire.

The map, for the sake and brevity, only depicts places that are mentioned in the actual story or are really important (such as the three main cities). There are more places there, but it would have been madness to fit all in that space. So this is a primer on the places marked there. In alphabetical order.

Belfrost: the short name of Belger’s Frost, in honor of Belger, the famous explorer that mapped most of the continent and founded the city as last stop before going into the Grasslands, where he would get lost forever. Now is considered the “city of spies”.

Carffadon: important commercial and touristic town in the Emerald Island due to its key location on the banks of the river Breen. Home of artists, poets, merchants, and pubs.

Emerald Island: the major power of the region, it coalesced into a single rule under King Castlemartell the leader of the Alliance during the war and now ruled by his daughter, Queen Brenda ‘The Long-Lived’. It has the largest overall population of freefolk outside the regions neighboring the World’s Scar.

Lemast: tiny town in the shadows of the Jagged Mountains. Only memorable for their particular architecture, the strange mausoleum in the middle of a cemetery and the regiment posted there to guard it.

Longhorn Valley: the place where the war was won by the Alliance and where the Light Explosion took place.

Manfeld: the oldest city in the continent is now a major commercial, cultural and industrial center. Its high walls, location upon a hill and easy access to water made it the perfect defensive spot and was the only mainland city to don’t fall during the war, although the siege that took place did a number on the city. It also has the largest population of city freefolks.

Maze, The: a  most peculiar region of the World’s Scar. It is said that it’s the exact spot where a certain goddess entered the world the first time. As such, is a place with reality warping properties, gravitational waves and endless roads that can get you lost. Also, it has dangerous predators there. It is the most important place for the freefolk nations as it is considered the location of the birth of their culture and where they discovered how to use magick. Visiting the place at least once in their lives is a significant goal of every freefolk on the planet.

Mercia University: one of the many universities on the continent. Recognized by its advanced programs in arcanotech –first of its kind-, design & engineering and freefolk-human relationships. It has an exchange program with Ravenstone.

Portis: the merchant city. It controls all the islands and maritime trade routes from and to the continent (think Venetia during the Renaissance). Famous for its legendary swordsmen and swashbuckling escapades that inspired hundreds of novels. Rumored to be founded by sailors that worshipped a strange sea deity. Most megacorps such as that from the Galfano Family have their main offices there.

Ravenstone: THE place to learn magick. It’s a mostly an only-freefolk school, although it does take human students with an aptitude for magick. Reaching it’s hard, but that’s on purpose, given that housed students of all ages, it needs to be a safe place for them. Located deep into the Maze region of the World’s Scar, it’s the perfect place to practice magick without blowing up the neighborhood.

Saint Lucy: capital of the Emerald Island and one of the three main cities. Founded on the remains of an ancient capital by King Castlemartell and named in honor of his deceased wife. It’s also known as the ‘city of blinding lights’. Queen Brenda rules from there.

Samheil Mountain: tallest peak in the Emerald Island. It is said to be haunted by fey –will-o-wisp creatures- and it’s the place where Fionn decided to settle after his return.

Sandtown: Its original freefolk name is lost, but it is believed that it was the location of the capital of the freefolk Kingdom of Umo (or Ulmo, spelling varies from tribe to tribe), before its fall almost a millennia ago due to a terrible catastrophe. Nowadays it’s a small town that houses Queen Brenda’s secret retreat and the nominal seat of the Free Alliance ruling council. Although nowadays the council rotates location between the Three major cities (Portis, Manfeld, and Saint Lucy).

Seven Watersnakes: a most fertile region on the continent, home of farms, cities, and ports. The region was in ancient times home to three quarreling kingdoms whose inhabitants’ exploits formed the basis for the Romances of Monstegur, a popular series of books, movies, and video games.

Skarabear: town located in the extreme north of the Emerald Island. Hometown of Fionn, it is the prime example of human-freefolk friendly coexistence, thanks to its legendary daughter and son and their exploits during and after the Great War. While part of the Emerald Island, it’s a town that tends to consider itself independent of the main rule from Saint Lucy and while friendly to outcasts, its inhabitants keep to themselves for a mysterious reason.

Thunder Pass: the nominal south-eastern border of the continent. Known for the endless thunderstorms that take place there. Currently the home of the power farms that provide energy to the continent.

World’s Scar: it’s a canyon… that crosses the whole planet (yes even under the ocean it’s rumored to have walkable spots. The place with most magick energy. In older times it was considered the geographical northern border of Ionis, but with the inclusion of the northern freefolk settlements of the Boreal Forests & the Mistlands, that became part of the past, with now the start of the Tundric lands the new frontier. Legend says that it was created when a certain goddess entered the world in her full form.

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Creating the map of your setting is not an easy task. Coming with shapes, names and geologically coherent structure is an intricate work of love. Thankfully I have a great illustrator -who is also a science buff- on my corner: Mr. Marco García.

He usually draws dinosaurs, cryptozoologist guides, and storyboards, but he agreed to help me with this, providing we stuck to geology and geography rules, with one exception (which is a magical place that violates the laws of nature on purpose). His input has been invaluable and even helped me to reexamine how some bits of my worldbuilding should go on.

The image above is the result of such collaboration. It is the location where the adventures of my characters from Tempest Blades takes place (at least the first novel-arc) It is not a complete map of the world (there are like 3 more continents still on the works) and of course the places pointed in the map are not the only ones in existence, just the ones used in the novel.

I have to say, I love the little details and the coherence between rivers, marshes, and mountains. Even the little, unnamed islands and the waves. As a first approach to this, I can’t be any happier. And if you want to see more of Marco’s work, go to his DeviantArt page.

I have some news for you.

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I should have posted this before, but workload got in the proceedings. As of a few weeks, my novel, Tempest Blades has a home! *Cue celebrations and embarrassing dance moves*

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Artemesia Publishing has agreed to publish the book under their Shadow Dragon Press imprint. They loved it, which is always a good sign. Now, the book won’t be out. As with anything related to the publishing industry, it will take time to get to the dead tree/dead e-reader I mean print and ebook final evolution. Edits have to be done, cover has to be designed and all of the marketing ideas have to be, well, planned. That takes time. When I talked about the timeline with the fine folks from Artemesia, we agreed that the reasonable launch date will be around the summer of 2019, this with the idea of ensuring a quality product.  As long as it is published before my birthday that year, I’m happy.

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The bright side of the somewhat long wait is that it gives me time to annoy you with pleads to buy the book as well as start writing the sequel. Because oh yes, there will be a sequel and hopefully a threequel and a quadroquel or whatever is said, with more electric boogalooness. Writing the sequel was not exactly in the cards and it takes me time to get a decent draft, between six months and a year, given my peculiar plotting & writing system. But that means that you will have time to wait for the book and re-read it. The Final Countdown begins.

So please keep an eye in this space for more news on Tempest Blades and thanks again to the people of Artemesia for this opportunity.

*Cue more embarrassing dance moves for several weeks*

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The Trickster Goddess.

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The Trickster Goddess from the Tempest Blades universe is an odd creature. Yes I know, is a deity and is bound to be inscrutable. But as the author, I’m privy to what goes behind the curtain regarding my characters. And yet, she does honor her sobriquet in a way, because no matter the story I write in that setting, she finds a way to get in it. She doesn’t appear that much in my novel or related stories… yet. But the very question of how to create a somewhat relatable deity without resorting in a deus ex machina was on my mind when I created the backstory of my setting and the character of the Trickster Goddess. While her character doesn’t appear per se, she has a considerable impact on the world.

I won’t reveal the name she goes by these days as it would be a spoiler for the novel, (I’m still working on publishing it). But I can reveal a few tidbits on her and if you read the novel you will understand who she is right away.

-She is a deity (obviously), but not a creator deity. She works for one and is related in a way that’s not entirely clear.

-Time runs differently for her than for a mortal. Not necessarily at an accelerated pace (e.g. a year for us is a day for her), nor she can see what’s in the future (she has visions of multiple futures though).

-She is older than THIS universe (the Tempest Blades ones) but not necessarily older than the entire creation.

-She was part of an ancient civilization of deities.

-Being as old as the universe (even if time works differently for her kind) tends to make one a tad unhinged so she (or at least her avatar that is the one doing the rounds in the novel) relies on a few tricks to remain relatable to the mortals she is watching over

-She likes technology, but prefer to do things by hand.

She keeps a library with the records of all that happens in the world and replicas of all inventions, but instead of a highly advanced computational system to keep track of everything (which she could create with ease), she likes to do it by hand, painstakingly classifying every bit on her own. After all, she has all the time in the world.

-She can’t enter directly into the mortal world or Realspace in her full form as the mere presence of her kind in that form is liable to break things: glasses, mountains, planets. The Wolrd’s Scar is the prime example of her doing that. I took her a few planets to learn not doing it. So now she uses an avatar -a female girl-, that’s part of her but not entirely her. The avatar has most of her memories (the rest are tucked in her library which is an avatar of sorts too) and a decent chunk of her power, but most of it and her true conscience is kept at the Overspace. That doesn’t mean the avatar is independent. It’s actually her without being her. You know, metaphysics. It also means that the avatar is indestructible.

-She likes to take the form of a red and black Raven. Mostly because the feeling of the wind caressing her feathers feels nice. Also because she likes to gossip and a raven used to go unnoticed.

-She likes to make the same pilgrimage that a whole of the Freefolk does from one point of the planet to another once in their lives (it was her idea originally). But she does in her avatar form and on foot every decade or so.

-She likes the company of mortals, mostly Freefolk.

-Once she fell in love with a human, during the Dawn Age of Theia. From that love she had two children, twins that are the ones forging the Tempest Blades from their hideout, so she is trying to emulate a family. They are still alive (they are demigods) but no one has seen them and have to follow some strict rules. Nothing is known about her partner.

-She finds mortals inspiring in a way. That’s why she aids those that become heroes. In a way.

-She doesn’t like to intervene. She can fight, but won’t do it. Don’t ask her for miracles. She expects mortals to be able to do their thing and only helps in indirect ways. And only when she is in the mood. She is a Trickster after all.

-Which means that her aid will be indirect and in the form of a pep talk, or scolding someone. Only a universal level of threat might compel her to act directly. And any favor she does to you will have to be paid back with interest. She is the strict teacher of the school.

-She likes to take on a student of the magical arts from time to time, mostly to have someone to talk about and go to the cinema. The said student might know the true identity of her avatar, but that won’t help him/her. There is a reason behind their selection.

-And she likes to annoy the hell out of a hero or two (mainly Fionn these days) under her several disguises, living different lives through her avatar.

-She had one mortal friend once, Asherah of the Freefolk, the First Magi and the first DragonQueen (that was back then when the Freefolk were still humanoid shapeshifters without a defined appearance).

-She has at least six other known siblings, but she doesn’t see eye to eye with them since she is the one taking a bigger interest in mortals and the Realspace. The rest are usually busy keeping eldritch beings (such as the Golden Emperor and the Crawling Chaos) away from creation.

-However, she argues that their duty would be better fulfilled if her siblings took the time actually know what they are fighting for rather than just following an ancient order. The point she makes to her siblings is this: how can you claim to be a guardian of the mortal world if you don’t experience it to understand it. So far the only one that has followed her advice is her older brother the Jailer.*

-As result of the above, the Jailer is, ironically and given their opposite functions, purviews, and points of view, the sibling she actually gets along. In a way. Their arguments about philosophy can be epic and last for centuries.

-She doesn’t demand worship. She doesn’t care and certainly doesn’t need it. In reality, finds it embarrassing. And yet she is the patron of Freefolk, magi, rogues, babies, and heroes. She is the one having faith in mortals.

-Used to play the bagpipe, but she lost hers.

-She hates being called a Goddess because she doesn’t feel she is divine, just is what she is. It’s complicated. But most mortals will call her that way rather than her one of her actual names, so after a while, it doesn’t bother her as much. She just ignores it.

-And she likes candies.

*Only when he can escape his job of keeping the evilest beings trapped in Hell, known as the Infinity Pits. He is the equivalent to Lucifer in the sense of being a punisher of evildoers, rather than the source of evil.